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  5. Chopin Font Family
Chopin Complete Family
Chopin Variable Roman
Chopin Variable Italic
Chopin Thin
Chopin Thin Italic
Chopin ExtraLight
Chopin ExtraLight Italic
Chopin Light
Chopin Light Italic
Chopin Regular
Chopin Regular Italic
Chopin Medium
Chopin Medium Italic
Chopin SemiBold
Chopin SemiBold Italic
Chopin Bold
Chopin Bold Italic
Chopin ExtraBold
Chopin ExtraBold Italic
Chopin Black
Chopin Black Italic
Simple Licensing

For print and branding projects.


For websites and online platforms.


For mobile applications.


For web and print on demand apps.


For eBooks and ePublishing.

Digital Ads

For HTML5 based Digital Ads.

Need something else? We can offer you custom-tailored licenses according to your needs.


For onscreen broadcasting.


For wider or unlimited purposes according to your company’s needs.


For commercial electronic games played on all interactive platforms.


Chopin is a geometric sans-serif typeface crafted by the accomplished designer Svetoslav Simov. Known as the author of numerous sans-serif bestsellers over the past decade and the founder of Fontfabric, Simov brings his expertise to this project. Viktoria Usmanova contributes her skills as a Type Director, enhancing the development process.

The typeface emerged from Simov’s inspiration drawn from historical posters and book titles, which he reinterpreted to meet the demands and aesthetics of modern design. This approach has resulted in a typeface that exudes character, energy, and dynamism.

The Chopin typeface family encompasses 9 upright and 9 italic styles, along with 2 distinct variations. Its range spans from the lightest to the heaviest weight, offering extensive applicability. Chopin supports Extended Latin, Cyrillic, and Greek language systems. Characterised by the rhythmic intersection of letters with wide and narrow proportions.

Chopin challenges conventional ideas of sans-serif designs with its unique rhythm. Ideal for various uses such as book titles, short texts, logo designs, posters, and packaging, Chopin is a daring choice for those seeking to push creative boundaries while maintaining excellent readability. Its adaptability makes it an invaluable asset for numerous digital and physical design projects, whether for web or mobile app solutions.

OpenType Features

Discretionary Ligatures Contextual alternates Localised Forms Tabular Figures Proportional Figures Diagonal Fractions Denominator Numerator Subscript Superscripts Case Sensitive Forms Ordinals


Chopin Variable Roman

The quick brown fox jumps over a lazy dog.


Chopin Variable Roman

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me?” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad.

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    What's included

    784 font Glyphs 20 Font styles

    107 Languages

    Afrikaans (also Cape Duch, Cape Afrikaners, and West Germanic language of South Africa), Asu, Belarusian (also Lachinka), Bemba, Bena, Bulgarian, Breton, Bosnian (Cyrillic), Catalan, Chechen, Kiga (also Rukiga, Ruchiga, and Chiga), Czech, Welsh, Danish, Taita, German, Greek, Lower Sorbian, Jola (also Jola-Fonyi, and Kujamataak), Embu, English, Esperanto, Spanish, Estonian, Basque, Finnish, Filipino (also Modern Philippines), Faroese, French, Friulian, Western, West Frisian, Irish, Scottish, Gaelic, Galician, Swiss, German, Gusii, Manx Gaelic, Croatian (also Gaj’s Latin alphabet, Abeceda, and Gajica), Upper Sorbian, Hungarian, Indonesian, Icelandic, Italian, Machame (also Kimachame), Kamba, Makonde (also Kimakonde), Kabuverdianu (also Cape Verdean Creole, Kriolu, Barlavento, and Sotavento), Kikuyu, Greenlandic (also Kalaallisut), Kalenjin, Shambala (also Kishambala, (ki)Sambaa, and (ki)Shambaa), Colognian (also Kölsch), Cornish, Luxembourgish, Ganda (also Luganda), Lithuanian (also Lithuanian Lietuviu Kalba, and East Baltic language), Luo (also Lwo, and Lwoian), Luyia (also Luyia, Luhia, and Luhiya), Latvian, Meru, Mauritian Creole (also Morisyen), Malagasy, Makhuwa-Meetto, Macedonian, Maltese, North Ndebele (also isiNdebele saseNyakatho, and Zimbabwean Ndebele), Dutch, Norwegian (also Nynorsk, and Bokmål), Nkore (also Nkole, Nyankore, Nyankole, Orunyankore, Orunyankole, Runyankore, and Runyankole), Oromo (also Afaan), Ossetian (also Ossetic, and Ossete), Polish, Portuguese, Quechua (also Runasimi), Romansh, Kirundi (also Rundi), Romanian, Rombo (also Kirombo), Russian

    Can’t find a language you need? We can design it for you. Get in touch


    Svetoslav Simov, Viktoria Usmanova, Ivelina Martinova, Stefan Yatanski

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