fbpx

Our best sellers

Nexa
Intro
Panton
Mont

Top free fonts

Drumnik
Colus
Akrobat
Phenomena
  1. Fontfabric (Typeface Making)
  2. >
  3. Show Different Fonts Types
  4. >
  5. Code Next Font Family
Code Next Complete Family
Code Next Hairline
Code Next Hairline Italic
Code Next Thin
Code Next Thin Italic
Code Next Light
Code Next Light Italic
Code Next Book
Code Next Book Italic
Code Next Regular
Code Next Regular Italic
Code Next SemiBold
Code Next SemiBold Italic
Code Next Bold
Code Next Bold Italic
Code Next ExtraBold
Code Next ExtraBold Italic
Code Next Heavy
Code Next Heavy Italic
Code Next Black
Code Next Black Italic
Code Next Variable Roman
Code Next Variable Italic
Simple Licensing
Desktop

For print and branding projects.

Web

For websites and online platforms.

App

For mobile applications.

Server

For web and print on demand apps.

Epub

For eBooks and ePublishing.

Digital Ads

For HTML5 based Digital Ads.

Need something else? We can offer you custom-tailored licenses according to your needs.

Broadcasting

For onscreen broadcasting.

Corporate

For wider or unlimited purposes according to your company’s needs.

Gaming

For commercial electronic games played on all interactive platforms.

Code Next

10 years later, one of the first geometric typefaces in Fontfabric‘s font portfolio and a popular favorite of yours is rising to a whole new level!

We’re revealing the stand-alone Code Next Font Family—a staggering evolution from Code Pro Font Family in functionality, versatility, and application. The transformation includes 6 new weights, 10 new Italics, full support of Extended Cyrillic and Greek, full redesign and glyphs refinement, 2 variable fonts, to name but a few.

Going back to 2011, the grotesque-inspired Code Pro was designed to complement memorable pieces that make a statement. Balancing between stylization and simplification, it was encoded with the distinct voice of basic organic shapes to stand the test of time. Little did we know, it would expand and live up to the potential of a “font from the future” as the new Code Next.

Today, a type family of 22 styles, this geometric sans-serif solidifies its relevance and carries a strong constructive aesthetic through simplified forms with a twist.

These fit any modern design in print, web, and display visualization. Developed to go above and beyond, Code Next comes prepared for multi-script projects with Extended Latin, Extended Cyrillic, and Greek.

Explore Code Next’s versatility and switch things up with the help of 2 variable fonts, more than 1280 glyphs, and an extensive OpenType features set including small caps, standard and discretionary ligatures, contextual and stylistic alternates, stylistic sets, case sensitive forms, and much more.

 

Explore: Sans Serif Fonts, Display Fonts

OpenType Features

Stylistic Alternates Common Ligatures Discretionary Ligatures Contextual alternates Proper Small Caps Localised Forms Tabular Figures Proportional Figures Diagonal Fractions Denominator Numerator Subscript Superscripts Case Sensitive Forms Ordinals
Code Next

Sentences

Localizations
Pangrams
Code Next Hairline
Features

The quick brown fox jumps over a lazy dog.

    Get this font

    What's included

    1284 font Glyphs 22 Font styles

    106 Languages

    Afrikaans (also Cape Duch, Cape Afrikaners, and West Germanic language of South Africa), Asu, Azerbaijani (also Azeri – Cyrillic), Belarusian (also Lachinka), Bemba, Bena, Bulgarian, Breton, Bosnian (Cyrillic), Catalan, Chechen, Kiga (also Rukiga, Ruchiga, and Chiga), Czech, Welsh, Danish, Taita, German, Lower Sorbian, Jola (also Jola-Fonyi, and Kujamataak), Embu, Greek, English, Esperanto, Spanish, Estonian, Basque, Finnish, Filipino (also Modern Philippines), Faroese, French, Friulian, Western, West Frisian, Irish, Scottish, Gaelic, Galician, Swiss, German, Gusii, Manx Gaelic, Croatian (also Gaj’s Latin alphabet, Abeceda, and Gajica), Upper Sorbian, Hungarian, Indonesian, Icelandic, Italian, Machame (also Kimachame), Kamba, Makonde (also Kimakonde), Kabuverdianu (also Cape Verdean Creole, Kriolu, Barlavento, and Sotavento), Kikuyu, Greenlandic (also Kalaallisut), Kalenjin, Shambala (also Kishambala, (ki)Sambaa, and (ki)Shambaa), Colognian (also Kölsch), Cornish, Luxembourgish, Ganda (also Luganda), Lithuanian (also Lithuanian Lietuviu Kalba, and East Baltic language), Luo (also Lwo, and Lwoian), Luyia (also Luyia, Luhia, and Luhiya), Latvian, Meru, Mauritian Creole (also Morisyen), Malagasy, Makhuwa-Meetto, Macedonian, Maltese, North Ndebele (also isiNdebele saseNyakatho, and Zimbabwean Ndebele), Dutch, Norwegian (also Nynorsk, and Bokmål), Nkore (also Nkole, Nyankore, Nyankole, Orunyankore, Orunyankole, Runyankore, and Runyankole), Oromo (also Afaan), Ossetian (also Ossetic, and Ossete), Polish, Portuguese, Quechua (also Runasimi), Romansh, Kirundi (also Rundi), Romanian



    Can’t find a language you need? We can design it for you. Get in touch

    Credits

    Svetoslav Simov, Stan Partalev, Mirela Belova

    Font Pairings

    CodeNext-Bold + CodeNext-Regular

    The Story of Gregor Samsa

    One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me?" he thought. It wasn't a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather.

    CodeNext-Bold + Alkes-Regular

    The Story of Gregor Samsa

    One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me?" he thought. It wasn't a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather.

    Alkes-ExtraBold + CodeNext-Regular

    The Story of Gregor Samsa

    One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me?" he thought. It wasn't a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather.

    Similar fonts

    Akrobat 8 font styles
    Nexa 36 font styles from $29
    Mont 20 font styles from $35
    Mont Blanc 18 font styles from $39