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Code Next

10 years later, one of the first geometric typefaces in our font portfolio and a popular favorite of yours is rising to a whole new level!

We’re revealing the stand-alone type family Code Next—a staggering evolution from Code Pro in functionality, versatility, and application. The transformation includes 6 new weights, 10 new Italics, full support of Extended Cyrillic and Greek, full redesign and glyphs refinement, 2 variable fonts, to name but a few.

Going back to 2011, the grotesque-inspired Code Pro was designed to complement memorable pieces that make a statement. Balancing between stylization and simplification, it was encoded with the distinct voice of basic organic shapes to stand the test of time. Little did we know, it would expand and live up to the potential of a “font from the future” as the new Code Next.

Today, a type family of 22 styles, this geometric sans-serif solidifies its relevance and carries a strong constructive aesthetic through simplified forms with a twist.

These fit any modern design in print, web, and display visualization. Developed to go above and beyond, Code Next comes prepared for multi-script projects with Extended Latin, Extended Cyrillic, and Greek.

Explore Code Next’s versatility and switch things up with the help of 2 variable fonts, more than 1280 glyphs, and an extensive OpenType features set including small caps, standard and discretionary ligatures, contextual and stylistic alternates, stylistic sets, case sensitive forms, and much more.

Overview:

• Font family of 22 fonts – 10 weights, 10 uprights, 10 italics, 2 variable fonts
• Languages – Full support of Extended Latin (English); Extended Cyrillic; Greek.
• Glyph count – 1288
• Variable fonts – 2 fonts

Have a custom-designed typeface for your brand. Choose another free font download and browse different typeface styles that Fontfabric typography design presents.

OpenType Features

Stylistic Alternates Common Ligatures Discretionary Ligatures Contextual alternates Proper Small Caps Localised Forms Tabular Figures Proportional Figures Diagonal Fractions Denominator Numerator Subscript Superscripts Case Sensitive Forms Ordinals
Code Next

Sentences

Localizations
Pangrams
Code Next Hairline
Features

The quick brown fox jumps over a lazy dog.

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    What's included

    1284 font Glyphs 22 Font styles

    109 Languages

    Afrikaans, Asu, Azerbaijani (Cyrillic), Belarusian, Bemba, Bena, Bulgarian, Breton, Bosnian (Cyrillic), Catalan, Chechen, Chiga, Czech, Welsh, Danish, Taita, German, Lower Sorbian, Jola-Fonyi, Embu, Greek, English, Esperanto, Spanish, Estonian, Basque, Finnish, Filipino, Faroese, French, Friulian, Western Frisian, Irish, Scottish Gaelic, Galician, Swiss German, Gusii, Manx, Croatian, Upper Sorbian, Hungarian, Indonesian, Icelandic, Italian, Machame, Kamba, Makonde, Kabuverdianu, Kikuyu, Kalaallisut, Kalenjin, Shambala, Colognian, Cornish, Luxembourgish, Ganda, Lithuanian, Luo, Luyia, Latvian, Meru, Morisyen, Malagasy, Makhuwa-Meetto, Macedonian, Maltese, Norwegian Bokmål, North Ndebele, Dutch, Norwegian Nynorsk, Nyankole, Oromo, Ossetic, Polish, Portuguese, Quechua, Romansh, Rundi, Romanian, Rombo, Russian, Kinyarwanda, Rwa, Sakha, Samburu, Sangu, Northern Sami, Sena, Sango, Slovak, Slovenian, Inari Sami, Shona, Somali, Albanian, Serbian (Cyrillic), Serbian (Latin), Swedish, Swahili, Teso, Turkish, Ukrainian, Uzbek (Latin), Uzbek (Cyrillic), Volapük, Vunjo, Walser, Soga, Zulu

    Can’t find a language you need? We can design it for you. Get in touch

    Credits

    Svetoslav Simov, Stan Partalev, Mirela Belova

    Font Pairings

    CodeNext-Bold + CodeNext-Regular

    The Story of Gregor Samsa

    One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me?" he thought. It wasn't a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather.

    CodeNext-Bold + Alkes-Regular

    The Story of Gregor Samsa

    One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me?" he thought. It wasn't a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather.

    Alkes-ExtraBold + CodeNext-Regular

    The Story of Gregor Samsa

    One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me?" he thought. It wasn't a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather.

    Similar fonts

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