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  1. Fontfabric (Fonts Styles & Typography Design)
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  5. Gabriel Sans Font Family
GabrielSans Complete Family
Gabriel Sans Cond 12 FONTS
Gabriel Sans Cond Thin
Gabriel Sans Cond Thin Italic
Gabriel Sans Cond Light
Gabriel Sans Cond Light Italic
Gabriel Sans Cond Normal
Gabriel Sans Cond Normal Italic
Gabriel Sans Cond Medium
Gabriel Sans Cond Medium Italic
Gabriel Sans Cond Bold
Gabriel Sans Cond Bold Italic
Gabriel Sans Cond Black
Gabriel Sans Cond Black Italic
Gabriel Sans 12 FONTS
Gabriel Sans Thin
Gabriel Sans Thin Italic
Gabriel Sans Light
Gabriel Sans Light Italic
Gabriel Sans Normal
Gabriel Sans Normal Italic
Gabriel Sans Medium
Gabriel Sans Medium Italic
Gabriel Sans Bold
Gabriel Sans Bold Italic
Gabriel Sans Black
Gabriel Sans Black Italic
Simple Licensing
Desktop

For print and branding projects.

Web

For websites and online platforms.

App

For mobile applications.

Server

For web and print on demand apps.

Epub

For eBooks and ePublishing.

Digital Ads

For HTML5 based Digital Ads.

Need something else? We can offer you custom-tailored licenses according to your needs.

Broadcasting

For onscreen broadcasting.

Corporate

For wider or unlimited purposes according to your company’s needs.

Gaming

For commercial electronic games played on all interactive platforms.

Gabriel Sans

The Gabriel Sans Font Family inspired by the original Sans Serif fonts of the Transitional age, but with a modern twist. It is clean, elegant and straight-to-the-point. The Gabriel Sans Font has features similar to the classic Helvetica – like the endings of the capital C – but goes one step further. It also has a quadratic look, which makes it easily distinguishable and easy to use – the height is nearly as long as the width.

Gabriel Sans Font Family comes 6 weights, italic and normal, it is professional and equally suited to your business or your personal lifestyle. It can be used in logotypes as well as in typeset text. It’s an all-purpose font offering the best of both worlds, presented by Fontfabric.

 

Explore: Sans Serif Fonts

Gabriel Sans

Sentences

Localizations
Pangrams
Gabriel Sans Thin

The quick brown fox jumps over a lazy dog.

Paragraphs

Localizations
Suggestions
Gabriel Sans Thin

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me?” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad.

Sentences

Localizations
Pangrams
Gabriel Sans Cond Thin

The quick brown fox jumps over a lazy dog.

Paragraphs

Localizations
Suggestions
Gabriel Sans Cond Thin

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me?” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad.

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    What's included

    230 font Glyphs 24 font Styles

    92 Languages

    Afrikaans (also Cape Duch, Cape Afrikaners, and West Germanic language of South Africa), Asu, Bemba, Bena, Breton, Catalan, Kiga (also Rukiga, Ruchiga, and Chiga), Danish, Taita, German, English, Spanish, Estonian, Basque, Finnish, Filipino (also Modern Philippines), Faroese, French, Friulian, Irish, Scottish, Gaelic, Galician, Swiss, German, Gusii, Manx Gaelic, Indonesian, Icelandic, Italian, Machame (also Kimachame), Makonde (also Kimakonde), Kabuverdianu (also Cape Verdean Creole, Kriolu, Barlavento, and Sotavento), Kalenjin, Shambala (also Kishambala, (ki)Sambaa, and (ki)Shambaa), Cornish, Luxembourgish, Luo (also Lwo, and Lwoian), Luyia (also Luyia, Luhia, and Luhiya), Mauritian Creole (also Morisyen), Malagasy, Makhuwa-Meetto, North Ndebele (also isiNdebele saseNyakatho, and Zimbabwean Ndebele), Dutch, Norwegian (also Nynorsk, and Bokmål), Nkore (also Nkole, Nyankore, Nyankole, Orunyankore, Orunyankole, Runyankore, and Runyankole), Oromo (also Afaan), Portuguese, Quechua (also Runasimi), Romansh, Kirundi (also Rundi), Rombo (also Kirombo), Ikinyarwanda (also Kinyarwanda, Rwandan, and Rwanda), West Kilimanjaro (also West Chaga), Samburu, Sangu, Sena, Sango (also Sangho), Shona, Somali, Albanian, Swedish, Swahili, Teso, Uzbek (Latin), Volapük, Central Kilimanjaro (also Central Chaga, and Vunjo), Soga (also Lusoga), Zulu



    Can’t find a language you need? We can design it for you. Get in touch

    Credits

    Svetoslav Simov

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