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  5. Gwen Font Family
Gwen Complete Family
Gwen Variable
Gwen 7 FONTS
Gwen Light
Gwen Book
Gwen Regular
Gwen SemiBold
Gwen Bold
Gwen ExtraBold
Gwen Black
Gwen Text 7 FONTS
Gwen Text Light
Gwen Text Book
Gwen Text Regular
Gwen Text SemiBold
Gwen Text Bold
Gwen Text ExtraBold
Gwen Text Black
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For eBooks and ePublishing.

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For HTML5 based Digital Ads.

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Gwen

The Gwen Font Family is a variable type system in 7 weights available at Fontfabric.

The complete font family consists of two subfamilies: the highly characteristic Display Serif family which shows its full potential and beauty in big sizes and a more subtle Text variation appropriate for smaller sizes. The variable font combines the best of both worlds and provides unique flexibility to switch between all of the font weights and the text and display style at the same time. The font supports Extended Latin and Cyrillic scripts and its main purpose is to be used in editorials, although it may find good implications in headlines, impactful landing pages, posters, and packaging.

 

Explore: Serif Fonts, Display Fonts

OpenType Features

Common Ligatures Discretionary Ligatures Contextual alternates Localised Forms Diagonal Fractions Denominator Numerator Case Sensitive Forms Ordinals
Gwen

Sentences

Localizations
Pangrams
Gwen Light
Features

The quick brown fox jumps over a lazy dog.

Paragraphs

Localizations
Suggestions
Gwen Light
Features

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me?” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad.

Sentences

Localizations
Pangrams
Gwen Text Light
Features

The quick brown fox jumps over a lazy dog.

Paragraphs

Localizations
Suggestions
Gwen Text Light
Features

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me?” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad.

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    What's included

    567 font Glyphs 15 Font styles

    106 Languages

    Afrikaans (also Cape Duch, Cape Afrikaners, and West Germanic language of South Africa), Asu, Belarusian (also Lachinka), Bemba, Bena, Bulgarian, Breton, Bosnian (Cyrillic), Catalan, Chechen, Kiga (also Rukiga, Ruchiga, and Chiga), Czech, Welsh, Danish, Taita, German, Lower Sorbian, Jola (also Jola-Fonyi, and Kujamataak), Embu, English, Esperanto, Spanish, Estonian, Basque, Finnish, Filipino (also Modern Philippines), Faroese, French, Friulian, Western, West Frisian, Irish, Scottish, Gaelic, Galician, Swiss, German, Gusii, Manx Gaelic, Croatian (also Gaj’s Latin alphabet, Abeceda, and Gajica), Upper Sorbian, Hungarian, Indonesian, Icelandic, Italian, Machame (also Kimachame), Kamba, Makonde (also Kimakonde), Kabuverdianu (also Cape Verdean Creole, Kriolu, Barlavento, and Sotavento), Kikuyu, Greenlandic (also Kalaallisut), Kalenjin, Shambala (also Kishambala, (ki)Sambaa, and (ki)Shambaa), Colognian (also Kölsch), Cornish, Luxembourgish, Ganda (also Luganda), Lithuanian (also Lithuanian Lietuviu Kalba, and East Baltic language), Luo (also Lwo, and Lwoian), Luyia (also Luyia, Luhia, and Luhiya), Latvian, Meru, Mauritian Creole (also Morisyen), Malagasy, Makhuwa-Meetto, Macedonian, Maltese, North Ndebele (also isiNdebele saseNyakatho, and Zimbabwean Ndebele), Dutch, Norwegian (also Nynorsk, and Bokmål), Nkore (also Nkole, Nyankore, Nyankole, Orunyankore, Orunyankole, Runyankore, and Runyankole), Oromo (also Afaan), Ossetian (also Ossetic, and Ossete), Polish, Portuguese, Quechua (also Runasimi), Romansh, Kirundi (also Rundi), Romanian, Rombo (also Kirombo), Russian



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    Credits

    Pavel Pavlov, Plamen Motev

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