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nexa_slab-type

Type family of 24 fonts • 2 Nexa Slab free fonts

Nexa Slab Thin
Nexa Slab Thin Oblique
Nexa Slab Thin Italic
Nexa Slab Light
Nexa Slab Light Italic
Nexa Slab Light Oblique
Nexa Slab Book
Nexa Slab Book Italic
Nexa Slab Book Oblique
Nexa Slab Regular
Nexa Slab Regular Oblique
Nexa Slab Regular Italic
Nexa Slab Bold
Nexa Slab Bold Oblique
Nexa Slab Bold Italic
Nexa Slab Extra Bold
Nexa Slab Extra Bold Italic
Nexa Slab Extra Bold Oblique
Nexa Slab Heavy
Nexa Slab Heavy Oblique
Nexa Slab Heavy Italic
Nexa Slab Black
Nexa Slab Black Italic
Nexa Slab Black Oblique
Simple Licensing
Desktop

Use for any kind of static designs, in print, for logos, products and more.

Web

Use as a self-hosted font on your website.

Digital Ads, App, ePub, Server

Use in HTML digital ads, e-books, servers and more.

Customize your own

Don’t hesitate to reach us if you need broadcasting, game, corporate or any kind of custom-made license for your company.

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Nexa Slab

Nexa Slab is a geometric slab serif font whose design is based on the already popular best-seller Nexa.

The font family contains 3 basic forms: italics, obliques and uprights, each of which has 8 different weights. This visual richness makes it the ideal slab serif font family for the web as well as for print, for motion graphics, logos, t-shirts and so on. It is also great for headings, fitting nicely with both small and large typesetting text blocks.

Nexa Slab draws from the rich traditions of the classic Neo-Grotesque slab serif fonts such as Lubalin Graph, Rockwell and Memphis, which conceal the richness of typesetting text in its crucial advertising function. Just like these fonts, it’s design is subject to rational, carefully thought-out, thick and thin bars with a low contrast between them. The letters are characterized by the strict geometry and square proportions of the original, extra-fortified by suitably balanced slab serifs.

Nexa Slab is serious without being rigid and inflexible, finished and lacking in nothing, systematic without being monotonous, and though it may seem at first glance to be more suitable for short, direct messages; in the hands of a master designer… it can build and create exquisite and harmonic designs.

2 Nexa Slab FREE fonts available.

OpenType Features

Stylistic Alternates Contextual alternates Localised Forms Tabular Figures Diagonal Fractions Denominator Numerator Superscripts Case Sensitive Forms Ordinals
Features 0
Localizations

The Story of Gregor Samsa

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me?" he thought. It wasn't a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather.

The Story of Gregor Samsa
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me?" he thought. It wasn't a dream.
His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather.

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    What's included

    24 font Styles

    Languages

    Afrikaans Asu Bemba Bena Breton Catalan Chiga Czech Welsh Danish Taita German Lower Sorbian Jola-Fonyi Embu English Esperanto Spanish Estonian Basque Finnish Filipino Faroese French Friulian Western Frisian Irish Scottish Gaelic Galician Swiss German Gusii Manx Croatian Upper Sorbian Hungarian Indonesian Icelandic Italian Machame Kamba Makonde Kabuverdianu Kikuyu Kalaallisut Kalenjin Shambala Colognian Cornish Luxembourgish Ganda Lithuanian Luo Luyia Latvian Meru Morisyen Malagasy Makhuwa-Meetto Maltese Norwegian Bokmål North Ndebele Dutch Norwegian Nynorsk Nyankole Oromo Polish Portuguese Quechua Romansh Rundi Romanian Rombo Kinyarwanda Rwa Samburu Sangu Northern Sami Sena Sango Slovak Slovenian Inari Sami Shona Somali Albanian Serbian (Latin) Swedish Swahili Teso Turkish Uzbek (Latin) Volapük Vunjo Walser Soga Zulu

    Can’t find a language you need? We can design it for you. Get in touch

    Credits

    Svet Simov

    Let’s make your project unique!

    Drop us a line at contact@fontfabric.com

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