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Type system of 72 fonts • 4 Noah free fonts

Noah Grotesque 18 FONTS
Noah Grotesque Thin
Noah Grotesque Thin Italic
Noah Grotesque UltraLight
Noah Grotesque UltraLight Italic
Noah Grotesque Light
Noah Grotesque Light Italic
Noah Grotesque Regular
Noah Grotesque Regular Italic
Noah Grotesque Medium
Noah Grotesque Medium Italic
Noah Grotesque Bold
Noah Grotesque Bold Italic
Noah Grotesque ExtraBold
Noah Grotesque ExtraBold Italic
Noah Grotesque Heavy
Noah Grotesque Heavy Italic
Noah Grotesque Black
Noah Grotesque Black Italic
Noah 18 FONTS
Noah Thin
Noah Thin Italic
Noah UltraLight
Noah UltraLight Italic
Noah Light
Noah Light Italic
Noah Regular
Noah Regular Italic
Noah Medium
Noah Medium Italic
Noah Bold
Noah Bold Italic
Noah ExtraBold
Noah ExtraBold Italic
Noah Heavy
Noah Heavy Italic
Noah Black
Noah Black Italic
Noah Text 18 FONTS
Noah Text Thin
Noah Text Thin Italic
Noah Text UltraLight
Noah Text UltraLight Italic
Noah Text Light
Noah Text Light Italic
Noah Text Regular
Noah Text Regular Italic
Noah Text Medium
Noah Text Medium Italic
Noah Text Bold
Noah Text Bold Italic
Noah Text ExtraBold
Noah Text ExtraBold Italic
Noah Text Heavy
Noah Text Heavy Italic
Noah Text Black
Noah Text Black Italic
Noah Head 18 FONTS
Noah Head Thin
Noah Head Thin Italic
Noah Head UltraLight
Noah Head UltraLight Italic
Noah Head Light
Noah Head Light Italic
Noah Head Regular
Noah Head Regular Italic
Noah Head Medium
Noah Head Medium Italic
Noah Head Bold
Noah Head Bold Italic
Noah Head ExtraBold
Noah Head ExtraBold Italic
Noah Head Heavy
Noah Head Heavy Italic
Noah Head Black
Noah Head Black Italic
Simple Licensing
Desktop

Use for any kind of static designs, in print, for logos, products and more.

Web

Use as a self-hosted font on your website.

Digital Ads, App, ePub, Server

Use in HTML digital ads, e-books, servers and more.

Customize your own

Don’t hesitate to reach us if you need broadcasting, game, corporate or any kind of custom-made license for your company.

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View case study

Noah type system

Noah is more than just another geometric sans. With sharp details and a distinctive arrangement, it further extends the limits of the x-height, providing unparalleled flexibility. The specific structure is paired with normal width proportions, moderate contrast and vertical stress – making Noah well suited for a wide range of typographic purposes.

This type family consists of 72 fonts divided into four subfamilies with different x-heights – ranging from Noah Grotesque at the bottom, through Noah and Noah Text, and extending to the highest one – Noah Head. The entire set includes styles from Thin to Black, with matching true italics and supports Extended Latin and Cyrillic scripts in more than 130 languages.

The inclusion of terminals with a humanistic flavor and typographic letter alternates, such as the binocular “g” or the geometric “a”, offers a blend of the best aspects of both geometric and grotesque typeface classics.

4 Noah FREE fonts available.

OpenType Features

Stylistic Alternates Common Ligatures Discretionary Ligatures Contextual alternates Localised Forms Tabular Figures Diagonal Fractions Denominator Numerator Subscript Superscripts Case Sensitive Forms Ordinals
Features 0
Localizations

The Story of Gregor Samsa

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me?" he thought. It wasn't a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather.

The Story of Gregor Samsa
One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me?" he thought. It wasn't a dream.
His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather.

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    What's included

    72 font Styles

    103 Languages

    Afrikaans, Asu, Belarusian, Bemba, Bena, Bulgarian, Breton, Bosnian (Cyrillic), Catalan, Chechen, Chiga, Czech, Welsh, Danish, Taita, German, Lower Sorbian, Jola-Fonyi, Embu, English, Esperanto, Spanish, Estonian, Basque, Finnish, Filipino, Faroese, French, Friulian, Western Frisian, Irish, Scottish Gaelic, Galician, Swiss German, Gusii, Manx, Croatian, Upper Sorbian, Hungarian, Indonesian, Icelandic, Italian, Machame, Kamba, Makonde, Kabuverdianu, Kikuyu, Kalaallisut, Kalenjin, Shambala, Colognian, Cornish, Luxembourgish, Ganda, Lithuanian, Luo, Luyia, Latvian, Meru, Morisyen, Malagasy, Makhuwa-Meetto, Macedonian, Maltese, Norwegian Bokmål, North Ndebele, Dutch, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Quechua, Romansh, Rundi, Romanian, Rombo, Russian, Kinyarwanda, Rwa, Samburu, Sangu, Northern Sami, Sena, Sango, Slovak, Slovenian, Inari Sami, Shona, Somali, Albanian, Serbian (Cyrillic), Serbian (Latin), Swedish, Swahili, Teso, Turkish, Uzbek (Latin), Volapük, Vunjo, Walser, Soga, Zulu

    Can’t find a language you need? We can design it for you. Get in touch

    Credits

    Svet Simov, Radomir Tinkov, Stan Partalev

    Let’s make your project unique!

    Drop us a line at contact@fontfabric.com

    Similar fonts

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