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  5. Transforma
Transforma Complete Family
Transforma Variable 3 FONTS
Transforma Sans Variable Sans
Transforma Mix Variable
Transforma Script Variable
Transforma Mix 5 FONTS
Transforma Mix ExtraLight
Transforma Mix Light
Transforma Mix Regular
Transforma Mix Medium
Transforma Mix SemiBold
Transforma Sans 9 FONTS
Transforma Sans Extralight
Transforma Sans Light
Transforma Sans Regular
Transforma Sans Medium
Transforma Sans SemiBold
Transforma Sans Bold
Transforma Sans ExtraBold
Transforma Sans Black
Transforma Sans ExtraBlack
Transforma Script 5 FONTS
Transforma Script ExtraLight
Transforma Script Light
Transforma Script Regular
Transforma Script Medium
Transforma Script SemiBold
Simple Licensing
Desktop

For print and branding projects.

Web

For websites and online platforms.

App

For mobile applications.

Server

For web and print on demand apps.

Epub

For eBooks and ePublishing.

Digital Ads

For HTML5 based Digital Ads.

Need something else? We can offer you custom-tailored licenses according to your needs.

Broadcasting

For onscreen broadcasting.

Corporate

For wider or unlimited purposes according to your company’s needs.

Gaming

For commercial electronic games played on all interactive platforms.

Transforma

Meet Transforma, a font family that started from a spark of inspiration by our founder, Svet, and flourished under the creative hands of Type Director Viktoria Usmanova and Senior Type Designer Ani Dimitrova. Transforma is all about blending worlds – it combines a sleek sans serif with a smooth, handmade script, and introduces a third player, “The Mix,” where these styles dance together in harmony.

The sans serif part of Transforma is designed with wider proportions for better legibility at smaller sizes, featuring ink traps and vertical cuts that add a contemporary touch. The ExtraBlack weight turns up the contrast and plays around with the shapes of letters like “a”, “f”, and “g” to bring something fresh to the table.

The Script, on the other hand, is all about capturing the essence of handwriting, creating a flow that’s both natural and engaging. And then there’s The Mix – a creative playground where the sans and script styles merge effortlessly, proving that opposites really do attract.

Ani Dimitrova, sharing her journey with Transforma, points out the fun and challenge in marrying contrasting styles into The Mix, imagining it as the perfect pick for designers who want to sprinkle some playfulness on their projects.

Transforma embodies a blend of personalities: it’s engaging, lively, slightly unconventional, and always eager to bring a distinctive flair to your designs. With a total of 22 fonts across three sub-families, including three commercially free options, and extensive support for Extended Latin and Cyrillic, Transforma is poised to inspire your next creative venture.

OpenType Features

Contextual alternates Localised Forms Tabular Figures Diagonal Fractions Denominator Numerator Subscript Superscripts Case Sensitive Forms Ordinals
Transforma

Sentences

Localizations
Pangrams
Transforma Mix Light
Features

The quick brown fox jumps over a lazy dog.

Transforma Mix Regular
Features

Jackdaws love my big sphinx of quartz.

Transforma Mix Medium
Features

Quizzical twins proved my hijack-bug fix.

Transforma Mix SemiBold
Features

When zombies arrive, quickly fax judge Pat.

Paragraphs

Localizations
Suggestions
Transforma Script Medium
Features

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me?” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad.

Sentences

Localizations
Pangrams
Transforma Sans Regular
Features

The quick brown fox jumps over a lazy dog.

Transforma Sans SemiBold
Features

Jackdaws love my big sphinx of quartz.

Transforma Sans ExtraBold
Features

Quizzical twins proved my hijack-bug fix.

Transforma Sans ExtraBlack
Features

When zombies arrive, quickly fax judge Pat.

Paragraphs

Localizations
Suggestions
Transforma Sans Regular
Features

One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. “What’s happened to me?” he thought. It wasn’t a dream. His room, a proper human room although a little too small, lay peacefully between its four familiar walls. A collection of textile samples lay spread out on the table - Samsa was a travelling salesman - and above it there hung a picture that he had recently cut out of an illustrated magazine and housed in a nice, gilded frame. It showed a lady fitted out with a fur hat and fur boa who sat upright, raising a heavy fur muff that covered the whole of her lower arm towards the viewer. Gregor then turned to look out the window at the dull weather. Drops of rain could be heard hitting the pane, which made him feel quite sad.

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    What's included

    1058 font Glyphs 22 Font styles

    107 Languages

    Afrikaans (also Cape Duch, Cape Afrikaners, and West Germanic language of South Africa), Asu, Belarusian (also Lachinka), Bemba, Bena, Bulgarian, Breton, Bosnian (Cyrillic), Catalan, Chechen, Kiga (also Rukiga, Ruchiga, and Chiga), Czech, Welsh, Danish, Taita, German, Greek, Lower Sorbian, Jola (also Jola-Fonyi, and Kujamataak), Embu, English, Esperanto, Spanish, Estonian, Basque, Finnish, Filipino (also Modern Philippines), Faroese, French, Friulian, Western, West Frisian, Irish, Scottish, Gaelic, Galician, Swiss, German, Gusii, Manx Gaelic, Croatian (also Gaj’s Latin alphabet, Abeceda, and Gajica), Upper Sorbian, Hungarian, Indonesian, Icelandic, Italian, Machame (also Kimachame), Kamba, Makonde (also Kimakonde), Kabuverdianu (also Cape Verdean Creole, Kriolu, Barlavento, and Sotavento), Kikuyu, Greenlandic (also Kalaallisut), Kalenjin, Shambala (also Kishambala, (ki)Sambaa, and (ki)Shambaa), Colognian (also Kölsch), Cornish, Luxembourgish, Ganda (also Luganda), Lithuanian (also Lithuanian Lietuviu Kalba, and East Baltic language), Luo (also Lwo, and Lwoian), Luyia (also Luyia, Luhia, and Luhiya), Latvian, Meru, Mauritian Creole (also Morisyen), Malagasy, Makhuwa-Meetto, Macedonian, Maltese, North Ndebele (also isiNdebele saseNyakatho, and Zimbabwean Ndebele), Dutch, Norwegian (also Nynorsk, and Bokmål), Nkore (also Nkole, Nyankore, Nyankole, Orunyankore, Orunyankole, Runyankore, and Runyankole), Oromo (also Afaan), Ossetian (also Ossetic, and Ossete), Polish, Portuguese, Quechua (also Runasimi), Romansh, Kirundi (also Rundi), Romanian, Rombo (also Kirombo), Russian



    Can’t find a language you need? We can design it for you. Get in touch

    Credits

    Ani Dimitrova, Vika Usmanova

    Font Pairings

    TransformaMix-SemiBold + TransformaSans-Medium

    The Story of Gregor Samsa

    One morning, when Gregor Samsa woke from troubled dreams, he found himself transformed in his bed into a horrible vermin. He lay on his armour-like back, and if he lifted his head a little he could see his brown belly, slightly domed and divided by arches into stiff sections. The bedding was hardly able to cover it and seemed ready to slide off any moment. His many legs, pitifully thin compared with the size of the rest of him, waved about helplessly as he looked. "What's happened to me?" he thought. It wasn't a dream.

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