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Condensed, Narrow, or Compressed

Condensed and narrow describe a typeface’s reduced horizontal width compared to its standard form. Compressed goes further still, an ultra-narrow style usually offered alongside regular condensed cuts within a larger type family or superfamily.

Width compared in Grima: the word Hamburg set three times at the same height and progressively wider, under the pink caption narrow, medium, wide — condensing changes how much horizontal room the letters take, not how tall they are.

Condensed and narrow are terms that describe a typeface’s horizontal width, indicating a slimmed-down variation of the design’s standard proportions. Compressed faces take this constriction even further, representing an ultra-narrow style that typically sits alongside standard condensed options within a larger font family or superfamily.

These slender variations are never created by simply squeezing a normal font horizontally using design software, which would distort line weights and ruin the design. Instead, type designers completely redraw them from scratch, reshaping the inner proportions, stroke thicknesses, and angles relative to the original aesthetic to maintain visual integrity. On the typographic width spectrum, these compact styles occupy the exact opposite end from wide or extended typefaces.

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About the author
Iveta Stoyanova

Iveta is the Social Media & Community Manager at Fontfabric. With a background in Rhetoric & Speech Communication, she writes about the human side of typography, the inspiration behind new typefaces, choosing the right font for your project, and font licensing.